Since its release in 1980 to generally indifferent reviews, Bauhaus' debut album has grown in stature and is now appreciated as an innovative foundation stone of 'Goth' music. Peaking at number one and remaining on the UK 'Indie' chart for over two years, this dynamic collection defies categorisation, offering an incendiary tinderbox of driving jagged rhythms, screeching guitars, brooding atmospherics, provocative lyrics and wildly animated vocals.

Few debut albums ever arrived so nearly perfectly formed; that In the Flat Field practically single-handedly invented what remains for many as the stereotype of goth music - wracked, at times spindly vocals about despair and desolation of many kinds, sung over mysterious and moody music - demonstrates the sui generis power of both the band and its work. This said, perhaps the best thing about the album isn't what it's supposed to sound like, but what it actually does - an awesomely powerful, glam-inspired rock band firing on all fours, capable of restraint and complete overdrive both, fronted by a charismatic, storming frontman. Starting with the challenging angst of "Double Dare," with shattering guitar over a curious but fierce stop-start rhythm while Murphy rages ever more strongly over the top, In the Flat Field contains a wide variety of inspirations and
ideas. The astonishingly precise rhythm section of David J and Haskins pulls off a variety of jaw-dropping performances, including the high-paced tension of the title track and the brooding crawl from "Spy in the Cab." Ash, much like his longtime hero Mick Ronson, turns out to be a master of turning relatively simple guitar parts into apocalyptic explosions, from the background fills on "St. Vitus Dance" to the brutal descending chords of "Stigmata Martyr." Murphy, meanwhile, channels as much Iggy Pop as he does Bowie, proving to be no simple copyist of either, able to both maniacally sing-shout and take a somewhat lighter touch throughout. Concluding with the seven-minute "Nerves," an aptly titled piece that alternates between understated energy and unleashed power toward a dramatic ending, In the Flat Field started off Bauhaus' album career with a near-perfect bang.
- Ned Raggett : All Music Guide

The re-mastered set includes In The Flat Field restored to it’s original sequence plus a second disc of the non-album singles, previously unreleased out-takes and alternative versions. This Omnibus Edition is presented as a limited edition box set with the two CD’s in Japanese-style paper sleeves, reproducing the original vinyl cover art, accompanied by a 48 page book that chronologically details the genesis of the album with rare memorabilia and photographs and contains the complete lyrics.